The Workingman and the Company Store
Can a progressive campaign break the coal industry’s hold on West Virginia politics?
By Dan Kaufman
Photographer: Rebecca Kiger
Date: May 9, 2024
By William Edwards
Photographer: Dina Litovsky
Date: May 1, 2024
Photo Booth: The Freedom to See Rome Anew
An American photographer brings a fresh eye to an ancient city.By Paul Elie
Client: The New Yorker
Photographer: Perry Hall
Date: November 14, 2023
Surveying the Vintage Market at Texas’s Wildest Antique Fair
The craze for old things reaches its peak of excess in Round Top.By Rachel Monroe
Photographer: Eli Durst
Date: November 9, 2023
Photo Booth: A Hidden Stash of Extraordinary Self-Portraits
A début monograph by Carla Williams lets the world in on a quietly thrilling collection of images that have been tucked away for nearly four decades.By Gioncarlo Valentine
Client: The New Yorker
Photographer: Carla Williams
Date: November 21, 2023
One of Australia’s most beloved writers, Garner—who has published novels, nonfiction, and three volumes of diaries—is finally catching on in the U.S.
By Helen Sullivan
Photographer: Jillian Freyer
Date: October 26, 2023
In “Anatomy of a Fall,” Justine Triet asks whether a woman can be honest about her marriage—and her ambition—without being punished.
By Alexandra Schwartz
Photographer: Ryan Pfluger
Date: October 15, 2023
A conversation with the painter, who has a new show at Gagosian, about what it feels like to be a woman, the body as a site of complication, and how to banish one’s judgmental inner voice.
By Naomi Fry
Photographer: Shaun Pierson
Date: November 26, 2023
A rising star of sad-girl pop talks disability, public personae, and just going for it.
By Hugh Morris
Photographer: Amanda Fordyce
Date: November 2, 2023